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06.02.2018 1 Comments

The Top combined all aspects of a single's performance sales, airplay and jukebox activity , based on a point system that typically gave sales purchases more weight than radio airplay. It ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations 20 to 25 positions. How has the Internet, a medium that thrives on control, been accepted as a medium of freedom? Digital sales are tracked by Nielsen SoundScan and are included as part of a title's sales points.

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Starting with the Hot chart for the week ending November 29, , this rule was altered; if both sides received significant airplay, they were listed together. A very basic example of this would be the ratio given to sales and airplay. Drawing on the theories of Gilles Deleuze and Michel Foucault and analyzing such phenomena as Webcams and face-recognition technology, Chun argues that the relationship between control and freedom in networked contact is experienced and negotiated through sexuality and race. It was during this period that several popular mainstream hits never charted on the Hot , or charted well after their airplay had declined. Double-sided singles Billboard has also changed its Hot policy regarding "two-sided singles" several times. On June 17, , Billboard discontinued the Most Played in Jukeboxes chart, as the popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. More complex issues began to arise as the typical A-and-B-side format of singles gave way to 12 inch singles and maxi-singles, many of which contained more than one B-side. The Internet's potential for democracy stems not from illusory promises of individual empowerment, Chun argues, but rather from the ways in which it exposes us to others and to other machines in ways we cannot control. Chun describes the way Internet promoters conflated technological empowerment with racial empowerment and, through close examinations of William Gibson's Neuromancer and Mamoru Oshii's Ghost in the Shell, she analyzes the management of interactivity in narratives of cyberspace. In Control and Freedom, Wendy Hui Kyong Chun explores the current political and technological coupling of freedom with control by tracing the emergence of the Internet as a mass medium. This chart ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country 20 to 50 positions. During this period, accusations began to fly of chart manipulation as labels would hold off on releasing a single until airplay was at its absolute peak, thus prompting a top ten or, in some cases, a number one debut. As the decades passed, the recording industry concentrated more on album sales than singles sales. It ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations 20 to 25 positions. Further problems arose when, in several cases, a B-side would eventually overtake the A-side in popularity, thus prompting record labels to release a new single, featuring the former B-side as the A-side, along with a "new" B-side. This was one of the main outlets of measuring song popularity with the younger generation of music listeners, as many radio stations resisted adding rock and roll music to their playlists for many years. In many cases, a label would delete a single from its catalog after only one week, thus allowing the song to enter the Hot , make a high debut and then slowly decline in position as the one-time production of the retail single sold out. At times, when singles sales were robust, more weight was given to a song's retail points than to its radio airplay. Compilation The tracking week for sales and streaming begins on Friday and ends on Thursday, while the radio play tracking-week runs from Monday to Sunday. The Top combined all aspects of a single's performance sales, airplay and jukebox activity , based on a point system that typically gave sales purchases more weight than radio airplay. But on the concurrent "Most Played in Juke Boxes", "Most Played by Jockeys" and the "Top ", the two songs were listed separately, as was true of all songs. With the initiation of the Hot in , A- and-B-sides charted separately, as they had on the former Top During the Hot 's early history, singles were the leading way by which people bought music. The Hot is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan both at retail and digitally and streaming activity provided by online music sources. The most significant ones are:

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