Audrey Field reported on 10 October As a consequence of the contract with Robert Lippert, American actor Brian Donlevy was imported for the lead role and the title was changed to The Quatermass Xperiment to cash in on the new X certificate for horror films. I have a stronger stomach than the average for viewing purposes and perhaps I ought to be reacting more strongly.
Although the novel by Mary Shelley was long since in the public domain , Anthony Hinds was unsure about the story, as Subotsky's script adhered closely to the plot of the Universal film Son of Frankenstein , featuring a second-generation Baron Frankenstein emulating his father, the original monster-maker. It found success on the European continent also, where Italian directors and audiences were particularly receptive. This put the project at risk of a copyright infringement lawsuit by Universal. They must take it away and prune. His final Hammer horror film appearance was in Scars of Dracula in Not only did the script contain horror and graphic violence, but it would be portrayed in vivid colour. Rosenberg and Milton Subotsky , who later established Hammer's rival Amicus , submitted to a. Thorley Walters was a well known comedy actor in British films who played semi-comic supporting roles in Hammer movies such as The Phantom of the Opera and Frankenstein Created Woman. Prince of Darkness , released in Certainly strong cautions will be necessary on shots of blood. The Curse of Frankenstein[ edit ] Main article: Hammer began looking for alternatives, and with the success of The Curse of Frankenstein signed with Columbia Pictures to distribute The Revenge of Frankenstein and two films from the defaulted a. We must have a great deal more restraint, and much more done by onlookers' reactions instead of by shots of 'pulsating obscenity', hideous scars, hideous sightless faces, etc, etc. On 20 August the Daily Cinema reported: Hammer's financial success also meant the winding-down of the parent film distribution company Exclusive, leaving Hammer to concentrate on filmmaking. And of course, some of the stake-work is prohibitive. During this period, two young American filmmakers, Max J. The Mummy the title used for the remake of The Mummy's Hand, which also incorporated significant story elements from that film's sequel, The Mummy's Tomb was made in , The Phantom of the Opera followed in , and Hammer collaborated with William Castle on a remake of The Old Dark House in Dracula had been a successful film character for Universal in the past, and the copyright situation was more complicated than for Frankenstein. Audrey Field commented on 8 October Meanwhile, the financial arrangement between a. Rosenberg would often claim he 'produced' The Curse of Frankenstein, an exaggeration repeated in his obituary. Eliot Hyman however, sent the script to his contact at Hammer. I am afraid we can give no assurance that we should be able to pass a film based on the present script and a revised script should be sent us for our comments, in which the overall unpleasantness should be mitigated. Audrey Field reported on 10 October The Invisible Man was never produced. Principal photography for The Mummy began on 23 February and lasted until 16 April
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