You made a record, you went on tour, you came home, you took a couple of days off and then you started another record. That was kind of our mode of [working] and it just evolved that way. And there was always [exceptions]. No kid should have to endure some of the s that I endured myself, and I saw other kids who got way worse than me. When I got to the studio the next day, I started playing what I had written the night before.
So it came from a very, very vulnerable place. I really do like that song. It was a reaction to having been bullied when I was a kid. He could hit the high s -- he was amazing at that. I told this girl that was working with us at the time, Elizabeth Frey, and she said she liked the mouse. So in this particular case, no one started playing along, but I just had a very strong connection to those chords and to the words that I wrote for those verses. We saw one another a number of times and were able to get a lot out on the table that may have gone unsaid otherwise. Chicago has released 24 studio albums, most of them have been given a roman numeral or number. What ended up happening is that I ended up driving around town listening to this demo for a couple of weeks and kind of falling in love with it. But instead of making it a really sad song, he made it kind of happy and poppy sounding. It kind of tripped us up a little bit. I think when we played it back, Gary kind of got inspired by that. That song has found its way back into our set list. If the band felt something really strongly and it was at odds with what the record company felt, John and Tom would always go to bat for us and push it through. So it was a big music hang when anything was going on in Champaign. It just was very destructive to him emotionally. You know, a lot of heady stuff. He was kind of the maitre d' of the band. But I think I just kind of felt that there was a spiritual feeling in the air. The way it kind of works with us is that one of us comes in to rehearsal and just kind of starts playing something. I was the new kid in town. We knew it was time to make a record, because that was just what you did, you know? We just worked so much and we toured and were in the studio and it was beginning to take its toll. Usually when we'd finish an album, I'd take a little breather and not even listen to it for a while. It helps when you write a No.
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