Even more disconcerting, Artemisia herself presides over the sacking of Athens, during which we see several Athenian women stripped, raped, and hacked to death with short blades. This shot switches back and forth between her parents and the little girls tear stricken face as she watches. This movie glorifies violence and battle in a way that can be unhealthy for an immature mind. Well, it turns out that the sequel is not as original as the original.
Bloody, beaten, and anticipating the imminent arrival of the Spartan ships, we see Artemisia on her knees in front Themistokles, the point of his sword at her throat. We see a flashback of the female antagonists past in which her mother is raped and her father is killed. We later hear that at ten years old, she was taken prisoner on a boat for many years and it is heavily applied that she is sexually abused. The movies message is to never give up, to have hope in the face of darkness and rebel against tyranny. The slow motion decapitations and hydraulic blood-sprays in were a perfect fit for the stylized violence-as-art motif of the first film, but the violence in Make them understand the difference between consensual sex and consensual, but violent sex. As Kate Conway noted in this piece for xoJane, rape as backstory is a common trope e. We get wider views of Sparta and Athens, and the backgrounds hold more detail. Particularly so is the scene where we see the eight-year-old Artemisia played by year-old Caitlin Carmichael battered, in chains, and surrounded by a gang of leering men. For example, Darius was not killed as depicted as neither Xerxes nor Darius was present at the Battle of Marathon. Lasts a few minutes and will probably gross out kids. Rise of an Empire in September The site's critical consensus reads, "It's bound to hit some viewers as an empty exercise in stylish gore, and despite a gonzo starring performance from Eva Green, She feigns attack, and Themistokles stabs her through her lower abdomen. While some have interpreted this scene as positive, her refusal to flee or to submit to capture a final example of her autonomy and self-determination, I argue that it instead serves as a capstone, an indirect culmination of the sexual assaults of her childhood, and a direct, forced by Themistokles culmination of the sex act that she had earlier delayed in her chambers. To children, it may not be as clear. Does Artemisia see this as suitable retribution? Themistokles is not having it, however, so Artemisia resorts to seduction. In this way, VFACs usually have the equivalent effect of enforcing, rather than transcending, traditional gender roles. Even more disconcerting, Artemisia herself presides over the sacking of Athens, during which we see several Athenian women stripped, raped, and hacked to death with short blades. And the blood…oh, the blood. After distinguishing herself in combat during the battle of Artemisium, an impressed Xerxes praised her skills as a tactician and asked for her advice. As you may have already guessed, the female villain is VERY sexualized, though she is a very strong character and is not dwarfed in any way by her male co-stars. Rather than accept Themistocles offer of escape, Artemisia chooses death. The same female villain later in the movie, beheads a man graphically and then proceeds to kiss his severed head. In addition, the Spartan navy contributed a mere sixteen warships to the Greek fleet of warships in the ending battle scene, not the huge armada shown.
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