Highlight Rolloff Specifies the rolloff value used to correct bright highlights. To preserve the full dynamic range of motion-picture film, Cineon files are stored using logarithmic bpc color. Rather than abruptly clipping highlights to white, After Effects interprets highlights using a gradual ramp defined by the Highlight Rolloff value.
The size of image that you can import or export is influenced by the amount of physical RAM available to After Effects. In addition to creating a document at the appropriate size for video or film work, this creates a document with two artboards: Organize and name layers. To get over range values when working in 32 bpc, set the value to 0. You can import Cineon 4. It is usually easier and faster to prepare a still image in its original application than to modify it in After Effects. However, if you delete a layer, After Effects is unable to find the original layer and lists it as Missing in the Project panel. See Cineon Converter effect. When you import a file that appears to After Effects to be one file in a still-image sequence, After Effects by default imports all other files in the same folder that appear to be in the same sequence. After Effects automatically applies the Preserve Underlying Transparency option to each layer in the clipping-group composition, maintaining transparency settings. Their large size may increase rendering time. Make sure that each layer has a unique name. Before you import a layered Photoshop file into After Effects, prepare it thoroughly to reduce preview and rendering time. To import multiple image files as a single still-image sequence, the files must be in the same folder and use the same numeric or alphabetic filename pattern such as Seq1, Seq2, Seq3. The default rate is 30 frames per second fps. See Safe zones, grids, guides, and rulers. The color mode is also displayed in the title bar of the document window. Cineon data has a bit white point of and a bit black point of Verify individual image sequence files When you import image sequence files in After Effects CC The imported composition and a folder containing each of its layers as footage items appears in the Project panel. When you import a Photoshop file as a composition, vector masks are converted to After Effects masks. After Effects does not read embedded color profiles from Illustrator files. If you need to retain blending mode information when importing a file into After Effects from Illustrator, save the document as an Illustrator CS2 document. Photoshop does not support layers in these color modes. Create your document in Illustrator using one of the Video And Film document profiles.
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